„The Go-Dai Concerto is not only a triumph for the guitar technically; it marks a turning point in the instrument’s repertoire for the concerto medium. For many commentators the guitar’s relationship with ensemble has always had great potential, but few examples have come to the fore to define the instrument in this way.
Pasieczny has shown here not only what level of musical interaction is possible with orchestra, but also how the guitar might come to redefine the orchestral palette for a new crop of composers. I am certain that its significance will lie in its future status as a milestone for the guitar canon.”
Guy TRAVISS March 2013, London (’CLASSICAL GUITAR MAGAZINE’)
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