TRAVELS / PODRÓŻE 30 miniatur | 30 miniatures

TRAVELS / PODRÓŻE

thirty easy miniatures for solo guitar; based / inspired by traditional music, art, dance and places from ten different countries on three different continents I’ve been living in last 10 years.

trzydzieści łatwych miniatur na gitarę solo; opartych / inspirowanych na tradycyjnej muzyce, sztuce, tańcu, kulturze oraz miejscach z dziesięciu różnych krajów na trzech różnych kontynentach, na których przyszło mi mieszkać przez ostatnie 10 lat.

Aby zakupić nuty po promocyjnej cenie, proszę kontaktować się bezpośrednio na mail: management@pasieczny.com

to purchase the score, please contact directly us via this e-mail: management@pasieczny.com

World Premiere of new work for solo guitar!

After many years of composing highly advanced pieces both technically and musically demanding, I felt the need to write something considerably simpler in form and language. This composition was bent on the idea of creating something not only for professional guitarists, but also for those still studying at secondary school level.

Little Sonata (titled inspired by Paul Hindemith’s “Kleine Sonate” for cello and piano) is an easy four-movement short composition, leaning on the form of the sonata and kept in the tonal post-classical and neo-romantic language. It was inspired by the cycle for solo piano Impromptus Op . 9 by Franz Schubert.

Written entirely on the piano and later ‘adapted’ for the guitar – it explains the highly pianistic chordal structures and harmonies that dictate the structure of the whole work. It was nevertheless composed with simplicity and ease for the guitar in mind.

This work is dedicated to my friend and great guitarists Krzysztof Pełech.

Marek Pasieczny

Pretoria, South Africa, August 2011

New work for solo guitar!

“() Marek Pasieczny is still very young, but already one of the most important guitarists-composers-musicians from our time. The Flight of Kikuidataki’ is beautiful! It is a piece full of sound and the guitar must be grateful to you for writing such a piece. Thank you also”, CARLO DOMENICONI – guitarist and composer (Berlin, Germany; May 2011)

“Kikuidataki is the name of the smallest Bird in Japan and the World’s smallest hummingbird of its kind. The native script is “King birds”. Kikuidataki is characterized by its yellow crown crest. I strived to capture and imitate its movements through sonoristic and colouristic effects. In depicting the Japanese impression, the main melody was inspired and based on the Japanese melody “Itsuki no komuriuta” (Lullaby of Itsuki).

This piece is dedicated to my friend and inspirational guide Carlo Domeniconi”. Marek Pasieczny (Pretoria, South Africa; May 2011)

AVAILABLE NOW in score and recording

The Flight of Kikuidataki by Pasieczny
The Flight of Kikuidataki by Pasieczny

Pasieczny’s STRING QUARTET in HD!


'STRING QUARTET NO.I’ „subtitled  „The Concerto”

1. Moderato Magnifico  2.Vasto Quieto  3. Presto con fuoco

THE WATSON QUARTET: Ian Watson, Alan John, Mary Ward and Christoff Johannes Fourie

This is my first piece for string quartet. I started to write this quartet in 2007, but finally finished it a few weeks ago. It is in an adapted 'small’ concerto form (fugue and cadenzas in 1st movement, impressionistic slow 2nd movement and 'furious’ finale in 3rd movement).

The atmosphere created by the music should pay tribute to some of the great string quartet writing done before me (starts with Haydn and Mozart and ends with Shostakovich, Lutoslawski and Bartok).

Special thanks to Bede Williams for recording and EXTRA SPECIAL THANKS to Ian, Alan, Mery and Christoff. I am privileged as a composer to have such good instrumentalists/musicicians at my desposal.

Pasieczny on 2 pianos – world premiere!

World premiere of new piece and premiere of video recording of „Suite Polonaise” version for 2 pianos 4 hands performed by Sylvia Sze-hua Jen (Taiwan/S,Africa) and Ayako Kanazawa (Japan).Glasgow, UK ; December 2010

Krawiec plays Pasieczny

World premiere recording of Marek Pasieczny’s work titled „THE TANGO IMPRESSIONS (Tribute to the art of Astor piazzolla) on brand new CD „DIALOG” by Andrzej & Grzegorz Krawiec (guitars) more info here

purchase the CD here

Gabriel Bianco premiering Pasieczny’s new guitar concerto!

[inspic=340,left,,450] World premiere of Marek Pasieczny’s new guitar concerto “Fantaisie en hommage à Frédéric Chopin” for guitar and orchestra is going to be premiered during The VII International Olsztyn Guitar Festival 2010’ in Poland on the 17th of July at the Warminsko-Mazurska Philharmonic Hall in Olsztyn, Poland.
Gabriel BIANCO (guitar) with Olsztyn 'Philharmonic Orchestra’ conducted by Janusz PRZYBYLSKI

“Fantaisie en hommage à Frédéric Chopin” pour guitar et orchestre
Célébration du 200 ème anniversaire de Frédéric Chopin
I.  Ballade – Impromptu
II.  Nocturne Mistique
III.  Mazurka Romanesque
IV.  Marche Funebre
V.  Fantaisie – Final

Marek Pasieczny is as well adjudicating, and giving masterclasses at ‘The 7th INTERNATIONAL GUITAR COURSE AND COMPETITION’ 17-18 of July

Tournee in JAPAN!

Pasieczny is touring in Japan! Solo and together with Ian Watson (violin). Recitals in Tokyo, Hamamatsu, Fujieda and Fuji; between 12th and 29th of May. more info here In programme works by J.S.Bach, Nicolo Paganini, Yuquijiro Yocoh, Dr.Alistair McDonald and Marek Pasieczny’s brand new compositions (world premieres and Japanese premieres) plus special arrangements!

Marek Pasieczny porwał „Wściekłą Polką” (recenzja)

Ludowe polskie melodie zapisane na gitarę i orkiestrę symfoniczną? Oj, tak! Marek Pasieczny swoim „Concerto polacco” uwiódł publiczność VI Lubuskich Spotkań Gitarowych. Sala Filharmonii Zielonogórskiej trzęsła się od braw. Echa „Chodzonego”, to znów religijnej pieśni „Cichy zapada zmrok”. I jeszcze „Za górkę zaszła” od Grójca/Worów, a na finał porywająca sądecka „Wściekła Polka”… A wszystko 30-letni blondyn o długich palcach rozpisał na gitarę (własną), skrzypce, obój, fagot, kotły, harfę i… pstrykanie palcami! Marek Pasieczny![inspic=209,left,,350]

Po takim występie jak dziś w Filharmonii Zielonogórskiej, chciałoby się zapakować tego absolwenta wrocławskiej Akademii Muzycznej wraz z symfonikami do samolotu, żeby fruwali po świecie jako ambasadorzy kultury polskiej. W sumie to już się dzieje, bowiem tuż po zielonogórskim koncercie Marek Pasieczny leci do Japonii, gdzie ma zaplanowane tournee.

7 maja 2010, Gazeta Lubuska

Pasieczny for Dylla

Pasieczny’s latest published work for guitar solo entitled “9 Miniatures” is now available here at the Les Productions d’Oz.

This brand new publication consists of nine independant pieces, technically easy, and are based on and inspired by several faintly well-known Polish folk tunes.

1.’It already turned Grey where it had sat down’ / ‘Już nam pusiwialo gdzie zasiadac mialo’  (from Sumin / Zamojskie)
2. ‘In the field a young green limetree’ / ‘W polu lipejka’  (from Zarudzie / Zamojskie)
3. ‘How I moped In the field’ / ‘Jak ja w polu zela’  (from Grabowica / Zamojskie)
4. Oh my mummy, you had Orly me’ / Oj moja mutulu, tys mnie jedna miala’
(from Nedezow / Zamojskie)
5. ‘Go I will not to rake hay’ / ‘nie pojde ja Grabic siana’ (from Mlociany, Lomianki / Warsaw )
6. ‘Chaff not the oat Marry’ / ‘Sieczka nie owies Marysiu’ (from Grojec – Glochow)
7. ‘I’ll Take the robe, I’ll Take the zhupan’ / ‘Wezme ja kontusz, wezme ja zupan’
(from Mazowsze / Cracow)
8.’I do not Wonder anyone’ / ’Nikomu się nie dziwuje’ (from Grudzondz)
9.’She dropped by the hill’ / ‘za gorke zaszla’ (from Grojec- Worow)

Miniatures from No.5 till No.9 were commissioned by The 6th International Guitar Competition in Olsztyn / Poland in 2009.  Miniatures No.1 till No.4 I composed in my hometown in Feb.2010.

This cycle is dedicated to Marcin Dylla.

Pasieczny – Watson back in Poland!

[inspic=155,left,,0] Pasieczny together with his duo partner Ian Watson (violin) will be giving two recitals, masterclasses and a lecture in Poland in January:

Cracov 12th January, Cracov City Council
12pm (noon) recital

Gdansk , 22nd January Academy of Music Concert Hall

11am-1pm masterclasses

1pm-2pm lecture for composition department

6pm recital

PROGRAM
SONATA No.I z cyklu ’CENTONE DI SONATE’
Niccolo Paganini (1782-1840)
(transkrypcja Marek Pasieczny)

1. Introduzione
2. Allegro maestoso
3. Rondoncino

TANCE RUMUNSKIE (SZ. 56)
Béla Bartók (1881 – 1945)
(transkrypcja Marek Pasieczny)

1. Dance with Sticks
2. Waistband Dance
3. Stamping Dance
4. Hornpipe Dance
5. Romanian Polka
6. Quick Dance

SZESC MELODII LUDOWYCH (2008)
Marek Pasieczny (*1980)

1. 'A tam kolo mlyna rosnie jarzebina’
2. 'Pod zielono miedzo ptaszki owis jedzo’
3. 'Na suchej topoli ptaszek glowke zwiesil’
4. 'A tam w polu przy drodze rosli jagody’
5. 'Oj lolysz mi si kolysz kolibejko lipowa’
6. Polka 'Wsciekla’

JUNGLE SKUNK (fantazja) na preparowaną gitare, skrzypce i taśmę (2001)
Annette Kruisbring (*1958)

LA CASA DONDE VIVE MIEDO (Homenaje a Joaquin Rodrigo) (2001)
Marek Pasieczny (*1980)

I.”Miedo”
II.”La Casa”
III.”El Juego con Miedo”

Standing ovation at The Lutoslawski’s hall in Warsaw!

[inspic=176,left,,0] Marek Pasieczny performed the world premiere of his newest symphonic Festival Composition ‘Concerto Polacco’ (version for solo guitar) with the ‘Świętokrzyska Philharmonic Orchestra’ conducted by Jacek Rogala. They received a standing ovation after their performance on the 13th of November 2009 during “The Vth Warsaw Guitar Festival” in Warsaw/Poland at the ’Witold Lutoslawski Polish Radio Concert Hall’.

Standing ovation for Pasieczny and DUO MELIS !

[inspic=161,left,,0]DUO MELIS (Susana Prieto /Spain, Alexis Muzurakis /Greece) received a standing ovation after their performance and world premiere of the symphonic Festival Composition by Marek Pasieczny ‘Concerto Polacco‘ on the 17th of July 2009 at the Warminsko-Mazurska Philharmonic Hall in Olsztyn, Poland.
MAREK PASIECZNY – „CONCERTO POLACCO” (‘Koncert Polski’)
(suita koncertowa na dwie gitary i orkiestrę)
1. Maestoso, lento assai (inspirowane rytmem „Chodzonego” – melodia własna)
2. Liberamente quasi capriccioso – Andante (inspirowane pieśnią religijną ”Cichy zapada zmrok”) (attaca)
3. Allegro spianato molto regolare (inspirowane melodią ”Za górkę zaszła”od Grójca/Worów)
4. Adagio mesto et molto espressivo (inspirowane kołysanką „Oj kołysz mi si, kołysz kolibejko lipowa”- Łubcze)
5. Vivace giocoso et brillante (inspirowane melodią „Wściekła Polka” – Lachy Sądeckie)

Zainteresowanie folklorem stanowi zwykle pewną fazę, czy też serię epizodów w twórczości kompozytora. W naturalny sposób po dość krótkim czasie mieszkania poza granicami Polski, przyszła do mnie nieodparta chęć zaczerpnięcia z polskiej muzyki ludowej. Concerto Polacco (koncert „Polski”), to owoc już kilkuletniej fascynacji folklorem polskim i jego niebywałą wręcz różnorodnością.
Sam folklor jest zawsze podporządkowany estetyce twórczej. I tak dzieje się i w tym przypadku. Ale chciałbym tu zwrócić uwagę na sposób traktowania tworzywa folklorystycznego.

    Można by wyróżnić trzy ogólne rodzaje jego zastosowania: cytat, stylizację i syntezę. Cytowanie jest częste w utworach użytkowych (do melodii zbliżonej do oryginału ludowego dodaje się dość schematyczny akompaniament, wstęp, zakończenie). Częstszym zjawiskiem jest stylizacja (jest to świadoma twórczość w duchu ludowym, a nie bezpośrednie nawiązywanie do folkloru). I w końcu synteza.
     Kompozytorzy zwracający się do muzyki ludowej mają zwykle większe potrzeby artystyczne aniżeli stylizacja czy opracowywanie melodii ludowych. Tak też jest i w przypadku tego koncertu. I tu w proces tworzenia wkradła się właśnie synteza. Dla twórców inspirujących się muzyką ludową ważniejsze jest wyrażenie ducha tej muzyki, a więc nie tylko uwzględnienie cech melodycznych, rytmicznych, ale nawet bardziej – strony brzmieniowej, dynamicznej, harmonicznej, nastroju etc. Ogólnie chodzi tu o „czucie tej muzyki” – jak mawiał Fryderyk Chopin. W przypadku tej kompozycji ‘czucie’ odbywa się także poprzez techniki kompozytorskie wieku XX-go (i szeroko pojętą XX-sto wieczną szkołę orkiestracji). W przypadku tego koncertu chodziło mi także o „odświeżenie” warsztatu kompozytorskiego i wniesienie doń elementarnej ekspresji oraz motoryczności właśnie z folkloru.
     Samo ‘Concerto Polacco’ to w formie pięcioczęściowa suita. Inspirowana rytmem, melodiami ale przede wszystkim niebywale specyficznym i niepowtarzalnym klimatem polskiego folkloru.

To moja osobista synteza z polską muzyką ludową.
Marek Pasieczny
Glasgow, Szkocja, 31 Maj, 2009

[inspic=163,,,0]

Pasieczny tours South Africa July/August ’09

[inspic=155,left,,0]Marek Pasieczny together with his duo partner violinist Ian Watson will be touring the coast of South Africa from Cape Town to Durban. Their programme includes works for guitar solo, violin solo and violin/guitar by N.Paganini, M.Giuliani, A.Part, E.Ysaye, A.Kruisbring, J.Williams and Pasieczny’s own compositions.

July 29th lunch time recital in Cape Town at “Bishops”
July 29th
evening concert for Lindeburgh Foundation in Muizemburg
July 30th
evening concert in Robertson Wine Cellar
July 31st
two concerts in Hermanus for the 'Hermanus Music Society’
August 2nd
concert for Liezl-Maret 
August 6th
Evening concert in Pietermaritburg 
August 8th
Pretoria concerts

Pasieczny on international festivals in Poland

[inspic=154,left,,0] Marek Pasieczny is adjudicating, and giving concerts and masterclasses at ‘II All-Polish Guitar Competition for performance of works by Polish Composers’ in Tomaszow Mazowiecki, 13-15 of May (more info HERE );  ‘Festival and Competition in Elk‘, (200th anniversary of J. Haydn’s death) 3rd-8th of June, (more info HERE); The VI International Olsztynski Guitar Festival 2009’ in Olsztyn 11th-19th of July (more info HERE), and ‘The 6th INTERNATIONAL GUITAR COURSE AND COMPETITION’ 18-19 of July (more info HERE)

Pasieczny meets Penderecki at Canterbury Cathedral

[inspic=139,left,,0]Pasieczny’s new piece for brass quintet, based on Polish folk dances, will be performed on April 24th in the Canterbury Cathedral by the ‘Pure Brass’ (Tom Poulson, Samantha McShane ,Fraser Russell ,Gordon Seith and Mandy Murphy).
The concert is part of the festival ‘Sounds New’ and is called the ‘Cracov Connection’ . Apart from Pasieczny’s brass quintet, there will be works by Krzysztof Penderecki, Hanna Kulenty, Roxanna and Andrzej Panufnik. Both Roxanna Panufnik and Krzysztof Penderecki will be in attendance at this event.

“The Cracow Connection”
Friday 24th April
7:30 PM – Canterbury Cathedral Quire

trad. Hejnał Mariacki
K.Penderecki – ENTRATA (UK premiere)
M.Pasieczny – POLISH DANCES (world premiere)
H.Kulenty – BRASS NO.I (UK premiere)
R.Panufnik – PRAYER
P.Patterson – THE ROYAL EUROSTAR
A.Panufnik – PAEAN
M.Mussorgsky (arr. E.Howarth) PICTURES AT AN EXHIBITION

[inspic=142,left,,0] Interest in folklore often makes up a certain phase or episode in a composer’s works. Living beyond the borders of Poland, it naturally came to me with compelling desire to draw inspiration from Polish folk music. But folklore for me has always been subordinate as a creative aesthetic.
Three general kinds of treatment of folk materials can be distinguished in musical works: quotation, stylization and synthesis. Quoting occurs commonly in works for practical purposes, putting together schematic accompaniment, introduction, and ending to the approximate melody of the original folk tune. Stylization is a more frequent phenomenon. In this case there is a conscious awareness of the spirit of folk music. The linking to folklore is not as direct as quoting. However, composers turning to folk music usually have larger artistic needs than stylization or the simple working out of folk melodies. For those inspired by folk music, the most important factor is the expression of the spirit of this music. The regard is not only for melodic and rhythmical features, but also the sound, dynamic, and harmonic aspects. It’s about the „sensation of the music” as F. Chopin said. It’s about „refreshing” the composer’s skills by bringing to it expression through rhythmical diversity (this relates especially to works of the 20th century). As the result of my episodic symbiosis with Polish folklore, the brass quintet came into being. This is a seven movement – partial suite leaning on several faintly well-known folk melodies and Polish dances, such as kolomajka, olender, krzyzok and trojak.This is my personal synthesis with Polish folk music.

New premiere of Pasieczny’s 'Concerto for Orchestra’

[inspic=108,left,,0] New world premiere of Pasieczny’s ’Concerto for Orchestra’ commissioned by Maggie’s Music Centre in Glasgow, Scotland UK and dedicated to Sylvia Sze-Hua Jen will be performed on Sunday 18th January, 7:30pm at The RSAMD Concert Hall Glasgow by the RSAMD Symphony Orchestra and Friends

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Maestro Roland Dyens about Marek Pasieczny

[inspic=122,left,,0] One of the most important and most influent guitarists and composers of XXI century wrote about Pasieczny:   “I do consider Marek Pasieczny as a highly inspired guitarist and composer. His musical world deeply touches me by its great personality and originality. He is what I call a free artist.”

Roland Dyens Guitarist and composer, Teacher at the Conservatoire National Supérieur de Paris 

Jeremy Jouve plays Pasieczny’s 'Homenaje a M.DeFalla’

[inspic=121,left,,0]World-renowned guitarists based in France – Jeremy Jouve will give two recitals in which includes Pasieczny’s composition for guitar solo titled „Homenaje a Manuel De Falla”. Jeremy will perfom it during 'I International Guitar Summer Festival’ in Poland; 23rd and 24th of August,2008 (Kornik near Poznan). More info here and here

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