Marek Pasieczny

Marek Pasieczny

Marek’s latest composition “Four Pieces” for violin and piano won FIRST PRIZE at the Grumo Festival Call for Scores 2011!  The winning workwill be performed at the Grumo Festival on July 1, 2011. This work is dedicated to Japanese artist, teacher, lecturer and concert organizer Angie Masako Kitagawa.

Posted by Marek Pasieczny, filed under Compositions. Date: June 2, 2011, 1:52 am | No Comments »

American Suite (tribute to Pat METHENY) world premiere recording!

score AVAILABLE NOW!!! here

Posted by Marek Pasieczny, filed under Compositions, Media. Date: September 27, 2010, 7:04 pm | No Comments »

Pasieczny’s newest works are going to be premiered by world-renowned pianists during the Scottish International Piano Festival - “Celebrating the 200th Anniversary of Fryderyk Chopin’s Birth” in Glasgow / U.K.

June, 13th; 11:30am – AcademyConcert Hall; RSAMD

Aaron Shorr and Jonathan Plowright (piano I),

Fali Pavri and Sinae Lee (piano II)

“Suite Polonaise - celebration du 200e anniversaire de la naissance de Frederic Chopin” (for two pianos – eight hands)

I. „Polonaise”
II. „Scherzo”
III. „Berceuse”
IV. „Impromptu (fanstasie)” V.  „Nocturne” 
VI. „Mazurka (Oberek)”

June, 12th; 7:30pm – AcademyConcert Hall; RSAMD

Duncan Maxwell Strachan (cello) and Sylvia Sze-Hua Jen (piano) 

‘Six Songs inspired by Wieslawa Szymborska’s poetry’  (for piano and cello)

1.’Jeszcze’ / ‘Still’
2.’Allegro ma non troppo’
4.’Upamietnienie’ / ‘Commemoration’
5. ‘Trzy slowa najdziwniejsze’ / ‘Three oddest words’
6.’Oboz glodowy pod Jaslem’ / ‘Starvation Camp near Jaslo’

more info/booking tickets here and here

Posted by Marek Pasieczny, filed under Compositions, Concerts. Date: June 3, 2010, 3:37 pm | No Comments »

Classical Guitar (April 2010 issue)
Classical Guitar (April 2010 issue)

Reviews of “Hommage a Aleksander Tansman” and “Two Stories; Aquarius; Cool Night Lights” (published by EUTERPE) now in (April 2010 issue) of Classical Guitar magazine. read here

Posted by Marek Pasieczny, filed under Compositions, Media. Date: April 29, 2010, 10:58 am | No Comments »

Marek Pasieczny and Sylvia Jen
Marek Pasieczny and Sylvia Jen

Another new work by Pasieczny. This time composition for piano solo:

“Ballade : Celebrating the 200th Anniversary of Fryderyk Chopin’s Birth”  – dedicated to Sylvia Sze-Hua Jen and The IInd Scottish International Piano Festival in Glasgow, Scotland. 

Posted by Marek Pasieczny, filed under Compositions. Date: January 8, 2010, 9:06 pm | No Comments »

Pasieczny’s newest work, composed for a 13-course baroque lute, is going to be premiered in the Spring of 2010 during the International Baroque Music Festival in Grodkow (Grottkau) / Poland. It is commissioned by Prof.Jerzy Zak and dedicated to the city of Grodkow (Grottkau).

“Le Parnasse Silesienne ou une Nouvelle Apothéose composé à la mémoire immortelle de l’incomparable Monsieur de Silvius L Weiss”Grande Suonata ou une Suite de danses:
2.Toccata e Fuga
3.Air en Echo
4.La Sicilien

Posted by Marek Pasieczny, filed under Compositions. Date: December 27, 2009, 10:42 pm | No Comments »

marek pasieczny
marek pasieczny lutoslawski’s hall warsaw world premiere CONCERTO POLACCO

 World premiere of Marek Pasieczny’s new guitar concerto “Concerto Polacco” for guitar and orchestra (version for one guitar – based on double concerto for ‘Duo Melis’) will be performed in Poland during “The 5th Warsaw Guitar Festival”:

10th of November 2009 ; 7 pm in Kielce/Poland – Concert Hall  

13th of November 2009; 7 pm in Warsaw/Poland- W.Lutoslawski Polish Radio Concert Hall

more info (in polish) here 

about the festival here 

tickets here

Posted by Marek Pasieczny, filed under Compositions, Concerts, Media. Date: September 24, 2009, 11:18 am | No Comments »

Recorded live in Scotland together with South African violinist Ian Watson. Including original works by Marek Pasieczny and arrangements of compositions by Bela Bartok and Niccolo Paganini.

Homenaje a Joaquin Rodrigo

Posted by Marek Pasieczny, filed under Compositions, Concerts, Media. Date: September 5, 2009, 7:36 pm | No Comments »

marek pasieczny sylvia jen

‘Mays’ (‘maze…’) for piano and tape (performed by Sylvia Sze-Hua Jen)
With the modern piano technology now available (specifically the Yamaha Disclavier system), it is possible to record, in addition to the acoustic piano performance itself, other information about the notes played to a computer simultaneously. This allows the addition and shaping of the orchestration that accompany the acoustic piano after the fact. These orchestrations contain a new set of sounds taken from the piano itself, sounds which are transformed into dramatic effects that retain an organic connection to their source. The result: piano composition of the moment, combined with an expansive extra layer of musical orchestration that derives almost exclusively from the notes and textures of the initial piano performance. This system inspired me to compose a piece for piano and tape, where the tape part is not used as a background but provides the harmonic basis and possesses equal rights as an element in the music space. This is also my tribute to one of the greatest contemporary jazz musicians in my opinion – pianist and composer Lyle Mays. watch VIDEO here

marek pasieczny

‘SEQUENZA’ for guitar solo (perforemd by Sean Shuji Tebble Shibe) dedicated to Riardo Jesus Gallen
This work is written in the avant-garde modern classical language and an innovative investigation into the dramatic and virtuosic possibilities of musical performance, and in compositional terms – investigation into a widely comprehended sonority of the instrument. Very unusual tuning (5th string to A flat and 6th down to E flat) at the beginning and re-tuning the instrument occur several times during the actual playing. A variety of guitar techniques are explored in this piece including different kinds of rasqueados, vibrato, tremolo, harmonics, glissandos, percussive effects (such as tambora, golpeado) as well as techniques from the electric guitar – such as tapping and hammering, making this piece very flashy but at the same time technically and musically very complex. Italian virtuoso guitarist Edoardo Catemario will give an English premiere of this work at the Wigmore Hall and record on the CD with contemporary music recordings aside Ginastera, Henze and Morales for DECCA in spring 2010.

marek pasieczny

‘ESSAY for 16 players’ (performed by the RSAMD chamber orchestra with Pasieczny on guitar, conducted by Alejandro De Palma Garrido)
The word essay derives from the French infinitive essayer, “to try” or “to attempt”. Like the novel, the essay is a literary device for saying almost everything about almost anything, usually on a certain topic. By tradition, almost by definition, the essay is a short piece, and it is therefore impossible to give all things full play within the limits of a single essay. The explorers of this genre shows connection with the popular in the antiquity form of the dialogue. In this case, dialogue takes place in a more global meaning – between woodwinds and string instruments, but as well in smaller scales between guitar and harp; within the string quintet and among the percussion instruments etc. In terms of musical material, harmony as an element shapes the form and structure. Harmony has been for me the most important element in this work. I consider it an extremely essential factor in the process of composition, influencing greatly the shape of my works especially this one. It is harmony that is responsible for the so-called density of the music – the space and its control of the other elements i.e. rhythm, melody etc. is an indescribably interesting phenomenon for me. In October this year, I am going to perform an extended version of this piece with the ‘Swietokrzyska’ Philharmonic Orchestra conducted by J.Rogala in the W.Lutoslawski’s Hall in Warsaw.

when,where etc. HERE

Posted by Marek Pasieczny, filed under Compositions. Date: April 28, 2009, 3:56 pm | Comments Off

marek pasieczny

I composed this piece during my few weeks in South Africa in August/Sept, 2007. This work was commissioned and composed for guitarist Grzegorz Joachimiak. My favourite period in music is the Baroque, especially Polish late Baroque. One of the greatest representative composers of that period is the lute virtuoso (born in Silesia – now part of Poland), Sylvius Leopold Weiss. This is my tribute to his music from a XXI century viewpoint – especially in harmony. more HERE and HERE

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Posted by Marek Pasieczny, filed under Compositions. Date: June 17, 2008, 5:44 pm | No Comments »

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