Posted by Marek Pasieczny, filed under Inne. Date: March 20, 2021, 10:36 pm | No Comments »

Première Recording: Arvo Pärt’s ‘Spiegel im Spiegel’ - one of his best known and most performed pieces, now in brand new arrangement for viola and guitar, now available on YouTube!
I recorded guitar part in the UK, while amazing Kaya Bryla-Weiss recorded her viola part in NYC

Posted by Marek Pasieczny, filed under Inne. Date: March 3, 2021, 12:16 pm | No Comments »

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‘Eight Miniatures For Piano and Guitar’ by Marek PASIECZNY

based and inspired by Polish Folk Music in form of Suite (2018)

Edition Type: Full Score + Guitar (part)
Publishers: SLE London
Catalogue Number: SLE072
Pages: 26
Date Published: 11 Feb 2021

get your copy now contacting us directly:


nine − 8 =

Posted by Marek Pasieczny, filed under Inne. Date: February 5, 2021, 2:39 pm | No Comments »

Posted by Marek Pasieczny, filed under Inne. Date: February 1, 2021, 5:10 pm | No Comments »

Ex Nihilo PASIECZNY

EX NIHILO (Nihil Fit) for two guitars | Marek PASIECZNY

Edition Type: Full Score + Guitar I and Guitar II (parts) + full program note by the composer
Publishers: SLE London
Catalogue Number: SLE071
Pages: 61
Date Published: 22 Jan 2021

YouTube / listen / stream

get your copy now contacting us directly:


three − = 1

Posted by Marek Pasieczny, filed under Inne. Date: January 22, 2021, 4:34 pm | No Comments »

“Picture a wave. In the ocean. You can see it, measure it, its height, the way the sunlight refracts when it passes through. And it’s there. And you can see it, you know what it is. It’s a wave.

And then it crashes in the shore and it’s gone. But the water is still there. The wave was just a different way for the water to be, for a little while. You know it’s one conception of death for Buddhists: the wave returns to the ocean, where it came from and where it’s supposed to be”.
Chidi (‘The Good Place’)

This piece borrows ideas from two philosophies, Parmenides’s philosophy and Buddha’s concept of death:

// Parmenides’s philosophy //

” τί δ᾽ ἄν μιν καὶ χρέος ὦρσεν ὕστερον ἢ πρόσθεν, τοῦ μηδενὸς ἀρξάμενον, φῦν; οὕτως ἢ πάμπαν πελέναι χρεών ἐστιν ἢ οὐχί. / “Yet why would it be created later rather than sooner, if it came from nothing; so, it must either be created altogether or not [created at all].”
* Parmenides (c. 515 BC)

”Nothing comes from nothing” (Latin: ex nihilo nihil fit) is a philosophical expression of a thesis first argued by Parmenides. It is associated with ancient Greek cosmology – there is no break in-between a world that did not exist and one that did, since it could not be created ex nihilo in the first place.

// Buddha’s concept of death //

In book “The Heart of the Buddha’s Teaching” by Thích Nhất Hạnhh, Buddha says:
“When we look at the ocean, we see that each wave has a beginning and an end. A wave can be compared with other waves, and we can call it more or less beautiful, higher or lower, longer lasting or less long lasting. But if we look more deeply, we see that a wave is made of water. While living the life of a wave, it also lives the life of water. It would be sad if the wave did not know that it is water. It would think, Some day, I will have to die. This period of time is my life span, and when I arrive at the shore, I will return to nonbeing. These notions will cause the wave fear and anguish. We have to help it remove the notions of self, person, living being, and life span if we want the wave to be free and happy.”

I have always been fascinated by the concept of waves in music, especially in the context of minimal music (also known as ‘minimalism’). Repetitive patterns or pulses, reiterations of musical phrases or smaller units can be shaped through time (of the performance) into unique musical waves. Dynamic manipulation can also give the impression of appearing and disappearing into nothingness.

Ex Nihilo is structured at all levels by the concept of waves: compositional material (from the smallest units up to entire sub-movements and the piece as a whole); dynamics (incessant rising and falling of volume and tension); orchestration (constant and often overlapping successive parts – voices); and temporal elements (different pulses, different metres, and different tempos of each sub-movements overlapping each other).

The main musical unit is built on the rising motif d # – e – f # which represents small waves climbing above the surface of the sea. As a ‘theme’, this three-note pattern repeatedly returns throughout the entire piece.

MAREK PASIECZNY
March 2020 | Zurich, Switzerland

Posted by Marek Pasieczny, filed under Inne. Date: January 8, 2021, 4:34 pm | No Comments »

21  Dec

‘Ex Nihilo (Nihil Fit)’ / ‘From Nothing (Comes Nothing)’ for two guitars, now on ALL major platforms!

Stream / Download / Watch HERE

eX nIHILO pASIECZNY

 

Posted by Marek Pasieczny, filed under Inne. Date: December 21, 2020, 1:56 pm | No Comments »

Entering holiday season, ‘Kyoto Sonata’ (version for guitar) is completed!
While writing ‘Kyoto Sonata’ I’ve been not only inspired by three places in Kyoto, but also their particular architecture has been the structural base of the form.
Three movements / three unique places: Hōnen-in Temple (very hidden, humble, magical and just simply beautiful place), the famous and breathtaking Fushimi Inari-Taisha I spent long hours walking around, and finally: full of people, different in energy and colours – depending on the time of the day – Higashiyama-ku district with its most known temple Yasaka-no-to Pagoda.
The piece has been commissioned by and is dedicated to the German guitarist Jakob Wagner.

Kyoto Sonata PASIECZNY

Posted by Marek Pasieczny, filed under Inne. Date: December 11, 2020, 2:00 pm | No Comments »

CONCERTO for Guitar and String Orchestra (2018)
(Tribute to Wojciech Kilar) | composed by Marek PASIECZNY

I. Nocturne: Andante con Moto
II. Ostinato (Psalm): Adagio – Allegro Moderato – Adagio
III. Toccare: Vivace Ardentemente

In 1948, Dmitri Shostakovich finished his first Violin Concerto. The first part of this concerto, ‘Nocturne – Moderato’, is a tribute to the English composer Edward Elgar and his Cello Concerto, which was deemed a breakthrough in the cello repertoire shortly after its premiere.
My Guitar Concerto is also a tribute. A tribute in memory of the Polish, Silesian composer Wojciech Kilar. Inspired by the story of Shostakovich and Elgar, I began my new concerto with a nocturne, entitled ‘Nocturne – Andante Con Moto’. The compositional material of the first movement was also inspired by Wojciech Kilar’s Piano Concerto from 1997. I borrowed the use of horizontal harmonic structures, sustained by long notes in the string orchestra. This is paired with the arpeggio technique in the guitar solo part (in Kilar’s case, it was the piano solo part).

The second movement (attacca from the first movement) is entitled ‘Ostinato (Psalm): Adagio – Allegro Moderato – Adagio’. Religious, even choral-like, it has an ostinato character with a recurring theme in the form of a psalm. Faith and Catholicism were extremely important elements in the life and work of Wojciech Kilar.
The third movement was inspired by another minimalist, the American composer John Adams. The third movement of his Violin Concerto gave me the idea for the form and energy of this movement. The Finale of my concerto, entitled ‘Toccare: Vivace Ardentemente’ is in the form of a toccata (Italian: toccare – to hit). It is a kind of musical duel between the soloist and orchestra, in minimalist style for which Wojciech Kilar was well-known as a master.

FULL SCORE

Posted by Marek Pasieczny, filed under Inne. Date: October 21, 2020, 7:52 pm | No Comments »

11  Oct
New Recording!

New transcription and arrangement of the ballad titled ‘Always and Forever’ by Pat Metheny

Posted by Marek Pasieczny, filed under Inne. Date: October 11, 2020, 7:36 pm | No Comments »

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